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And it’s apology time: A while back, I tagged Joe Rogan as a Tony Danza wannabe; Rogan’s smart work this season as dim fix-it guy Joe made my remarks seem churlish.5 THE SIMPSONS (Fox) Unappreciated now because the media celebrated Bart-mania years ago, The Simpsons continues to be the most reliable satire on network TV.Earlier this year, cocreator Steven Bochco told EW: ”This is now [cocreator-producer] David Milch’s show; if I disappeared tomorrow, the quality of that show would not suffer for a second.” And a key to Milch’s production work this season is his knowledge that once you’ve set up a character people care about, that creation can do questionable, even bad things, and the viewers won’t merely accept the behavior but feel that badness in their bones.I’m thinking not only of the racism embedded in the soul of Andy Sipowicz (the earthshakingly good Dennis Franz) but of the increasing complexity of Bobby Simone (Jimmy Smits).True, Lisa Kudrow’s Phoebe seems stuck in a dumb-chick rut, and David Schwimmer’s Ross is becoming dismayingly sappy.But Matt Le Blanc’s Joey and Courteney Cox’s Monica have flourished anew, while Jennifer Aniston’s Rachel and Matthew Perry’s Chandler are steadily becoming comic creations of remarkable intricacy. Look at this show with an open mind and try not being beguiled.

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4 NEWSRADIO (NBC) Former Sanders collaborator Paul Simms has managed something Shandling has opted not to try: an iconoclastic sitcom that nonetheless adheres to the strictures of network TV.

Dave Foley, as the radio station’s put-upon news director, is probably the subtlest actor in sitcoms, whereas Phil Hartman and Andy Dick thrive on reckless excess.

Doc Oho: Mark Gatiss has gone on record to say that he doesn't find work for his husband, Ian Hallard, and that he gets the roles on his merits as an actor.

1 NYPD BLUE [PROGRAM of the YEAR] (ABC) TV’s most varied, humane, and exciting drama took more chances this year than a hit show needs to, and became a deeper, richer series for the effort.