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13 Feb

The play sold out its entire run immediately and a subsequent West End transfer has already been announced.

His first play there, Mojo, in 1995, earned him a rare accolade as a first-time writer debuting on the main stage. As Phil Gibby wrote in his original review of that production for The Stage: “It is an easy comparison, but it has to be made.

Its transfer to London was highly acclaimed, with Harold Hobson in the Sunday Times declaring it “the most important event in the British professional theatre of the last nine years”.

Prizes soon followed too, including – as The Stage reported in July 1967 – the inaugural Whiting Award, established by the Arts Council to reward “British or Commonwealth playwrights whose work, whether published or actually produced, reveals a new or distinctive development in dramatic writing”.

There was a hysteria about the first night, and it was difficult to judge the play coolly and calmly. Next month Butterworth will return to the Royal Court with his latest play The Ferryman.

Menzel also subsequently played the role in the 2005 film version.

She was nominated for a Tony, but didn’t win; in 2003, she won the Tony for best actress in a musical for originating the role of Elphaba in Wicked.

Am I alone in thinking that there has always been something ever so slightly sinister and unctuous about James Bolam?

He approaches his role as an avuncular pimp in the gloomy new British film Stella Does Tricks as a cross between Michael Caine in Mona Lisa, Alan Alda in Crimes and Misdemeanours and Robert Mitchum in The Night of the Hunter.